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Best of all, Loki allows you this level of control, while retaining transparency. Instead of a stack of noisy op-amps attached to open-frame, dust-collecting sliders (like EQs you may have used in the past), Loki uses a single, discrete, current-feedback gain stage, coupled to passive LC filters for 3 bands, plus a gyrator for the bass. It also uses sealed Alps potentiometers with rational adjustment ranges to allow for fine control. Coupled with a 100% passive bypass setting, Loki offers the transparency and flexibility you need.
The world changed, and we decided to experiment a bit. That’s it in a nutshell. The longer explanation includes the fact that tone controls have pretty much become verboten over the last three decades in high-end audio. For those of you who remember some crappy tone control and EQ implementations, including dull, veiled, nasty-sounding knobs on the front of receivers and noisy, truly awful-sounding banks of 10 to 30 sliders (usually fixed in a death-grin), you know that there’s a good reason tone controls went away. But we decided to take a look at it and see what we could make with a single gain stage (rather than 10-30 op-amps in a row) and using passive LC (inductor-capacitor) filtering wherever possible.
El rascacielos ecologico ken yeang pdf to jpg. And we found that we could create an extremely transparent equalizer that allowed for some very nice control over tonal characteristics, without the downside of traditional tone controls or EQs. So we decided to make it and see if you find it interesting as well.