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Probably no strain of blues has a more universally recognized form, feel and sound than Chicago blues. Chicago is where the music became amplified and had the big beat put to it and like Muddy Waters said, the blues had a baby and they named it rock'n'roll.
As a simple point of reference, it's the music that most sounds like 50s rhythm and blues/rock'n'roll, its first notable offspring; when you hear a tv commercial with blues in it, it's usually the Chicago style they're playing. It's the sound of amplified harmonicas, electric slide guitars, big boogie piano and a rhythm section that just won't quit, with fierce, declamatory vocals booming over the top of it. 
And it's the up to date, gospel inspired vocals and B.B. King single note style of Otis Rush, Magic Sam and Buddy Guy meshing with it all. Though there's much primitive beauty to be found in this strain of the music, there's nothing subtle about it; its rough edge ambience is the sound of the Delta, coming to terms with the various elements of city life and plugging in and going electric to keep pace with a changing world. Chicago blues was the first style to reach a mass audience and, with the passage of time, the first to reach a world wide audience as well. When the average Joe thinks of the blues, one of two musical sounds pop into their brain pan; one is the sound of Delta blues-usually slide-played on an acoustic guitar. The other-if it's played through an amplifier-is almost always Chicago blues. Although the Windy City had a burgeoning blues scene before World War II (see separate essay on Lester Melrose and Early Chicago Blues), a number of elements combined after the war to put the modern Chicago scene into motion.
First, there was the societal aftermath of World War II to deal with. Blacks-after serving their country and seeing how the rest of the world was-came back home, packed up their few belongings and headed North to greener pastures, better paying jobs and the promise of a better life. It was a simple case of 'how ya keep 'em down on the farm;' once Blacks had left the oppressive life of Southern plantation life behind and 'had seen the world,' the prospect of toiling in a meat packing plant in Chicago looked a whole lot more upscale than standing behind a mule somewhere in Mississippi.